March 20, 2018
Each museum has a very distinct feel. I only realized this after I visited five museums in five days. The museums I visited include the Museu Picasso, the Dalí Theatre and Museum, the Museo Reina Sofia, the Museo Thyssen-Bornemisza, and the Museo del Prado. Since this is a number of museums, I will only write about Dalí’s Theatre-Museum and the Museo del Prado in this post.
I took a day trip from Barcelona to Figueres to visit Salvador Dalí’s Theatre-Museum. It was overflowing with evidence of Dalí’s eccentricity, which was evident even from the exterior of the building. Its bright red walls adorned with little gold dots contrasted sharply with the yellow buildings surrounding the museum. To make the comparison even more drastic, a line of life-like eggs were perched at the top of the building. A statue of a woman with large breasts standing atop a black Cadillac greeted me as I walked into the open courtyard of the museum. Behind the statue is a stage with huge glass windows. Going into the inside, there is an abnormally large painting with deep red curtains around it, solidifying the impression of a theater. Even though I would not consider myself a Dalí fan, or even a fan of surrealism in general, I found myself increasingly drawn in by the peculiarities of the art shown. However, every so often, there would be some element that reminded me that, while I was in a museum, I was also in something resembling a theater. For example, there are windows behind the golden statues above the courtyard from which you can look out and view the stage. I moved through the galleries in a state of wonder. After visiting the Theatre-Museum, I can safely say that I am more appreciative of surrealism, contemporary art, and of Salvador Dalí’s genius than I had been before my visit.
After leaving Figueres, I went to Madrid. Due to poor planning, I only managed to spend about an hour and a half in the Museo del Prado before I had to leave for Valencia. However, I was extremely pleased. Unlike Dalí’s Theatre-Museum, the Prado Museum had a more classical structure and collection. There were, as expected, many depictions of Greek and Roman mythology, which, as many friends know, I absolutely love. While walking through the first floor of the Prado, I came across a painting by Paulo Veronese entitled Venus and Adonis. It was the same painting that adorned the cover of my text book for Latin IV last year. I can’t even begin to convey my excitement at seeing the painting. I think I stood there for a good ten minutes or so, the first two just gaping at the work and the rest analyzing minute details. It was remarkable to see a piece of art in person that was first introduced to me in school.
As I continued through the gallery, I found more paintings and statues that depicted scenes from Ovid’s Metamorphoses, the text I studied a year ago. I spent the rest of my time at the Museo del Prado looking at them. Below are some of my favorites.